A Disappointing Apocalypse

The Movers, sometimes known as the Metix, known often in less educated and angrier circles as Migs and Zooms; discussed in terms of Mitigants by the Liberal Press and the Swarms by those whom were sucking on silver spoons or their own feet at any given point; fenced in by The Reality, sent back by The Time, allowed to find their own ways by the Dream which served to briefly protract the Demise of the Fourth Union before the stamping feet, banner waving, screaming, red-faced, half-sighted Hordes, supported by the Provincial Privies (who gave some tawdry social credence to the violent, cuntish actions of the HEIL HEIL HEIL mobs) that suffocated the optimism of any person of heart, that turned the stomachs of those who could see how things would transpire if the restrictions continued.

Nomads & Orphans: International Mobile Photography

The images, uploaded to the social media sites then have an immediacy of consumption and exchange (social media sites are fundamentally amalgams of distribution, consumption and exchange). The Mobile phone artists will be able to see how many people are viewing their posts (consumption) and the exchange follows with people leaving comments, liking or sharing.

The immediacy of this operation, combined with the seamless integration of image and text into one message, creates a form of speech that restores the traditional relationship of photography with truth while at the same time causing photography to lose its separate identity and disappear into the amalgam of textual-aural-visual communication.

Indeterminate Spaces from Bergson and Badiou – Nomads & Orphans – thoughts for new exhibition – Indeterminate spaces/Nomadism/Swarm Theory as it relates to the dissemination of photos on Instagram

Henri Bergson: Matter and Memory. Chapter 3: Of The Survival of Images. Matter and Mind. We prepare ourselves to receive it [our recollection] by adopting the appropriate attitude. Little by little it comes into view like a condensing cloud; from the virtual state it passes into the actual; and as its outlines become more distinct…

HAIKYO

Here are some photos of what is known as Haikyo in Japanese. Haiyko translates as ‘ruins’ and is a popular genre of photography in Japan. I thought it might be interesting as since Brentwood Road Gallery staged the first international mobile phone photography exhibition last year, “Nomads & Orphans”, we have been trying to settle on a…

New Drawing Workshops with Eleanor Darling at Brentwood Road Gallery

Following the success of Eleanor Darling’s recent Photorealist Workshops, Brentwood Road Gallery is pleased to announced that the artist will be running a workshop every fortnight (at a time and day yet to be confirmed). Please do get in touch stating your interest and which day would suit you best and we will keep you…

Integrating Biology and Botany into the Visual Arts and Vice Versa

As I continue to try to attract other departments within the school into the gallery, I find the perfect exhibition in the form of Hayward Touring exhibition: Karl Blossfeldt | Art Forms in Nature. Staging a concurrent exhibition of the 1958 Plant Delta work of Nigel Henderson (sourced from a private gallery I had previous…

Nomads & Orphans | International Mobile Photography

Mobile Phone Photography: Theoretical Concerns   In Nomads & Orphans we have 19 photographers from around the world, all of who only use their smartphone to capture, edit and distribute their images. Their subjects are as diverse as their lives and their nationalities, as are their inspirations and styles. But what do you think it…